Ruth J. Simmons Center for the Study of Slavery and Justice

Reimagining New England Histories

Reimagining New England Histories: Historical Injustice, Sovereignty and Freedom aims to foreground the silenced stories of Indigenous and African American experiences of New England. Deploying maritime histories and using the sea as a connecting element, the project will foreground the single and sometimes intertwined histories of Indigenous and Black communities.

Many rich stories about the complex history of New England remain hidden, oftentimes erased in the conventional dominant narrative histories which are told. This project, Reimagining New England Histories: Historical Injustice, Sovereignty and Freedom (RNEH) aims to foreground the silenced stories of Indigenous and African American experiences of New England. Deploying maritime histories and using the sea as a connecting element, the project will foreground the single and sometimes intertwined histories of Indigenous and Black communities.  As a project, it seeks to highlight how the Indigenous communities and Black communities made sustained vigorous efforts to create spaces for their self-determination, freedom and cultural sovereignty in New England. In telling these stories the project will displace the myth of the founding of the New England colonies as a “city on the hill.”  

As a project, we recognize the multi-generational work that Indigenous and Black communities in the Northeast have done to steward important histories and memories. This grant will respect and be attentive with respect to these efforts. We believe it is necessary for America to confront its past and to grapple with the its histories of Indigenous dispossession, attempted genocide and slavery. 

One aim of this project is not only to acknowledge this history but to create platforms through which these histories can be told. To create these platforms, the project will undertake different modalities: a major museum exhibition, accompanying catalog, classroom resources about these histories, community forums, internships and other modes agreed upon in discussion with communities. 

This project is organized by the Ruth J. Simmons Center for the Study of Slavery & Justice at Brown University, Mystic Seaport Museum, Williams College, and the Williams-Mystic Program in close partnership with tribes and local communities. Central to the project is a collaborative process with the partnering communities who actively advise and shape the contours of the project. This project acknowledges that members of these communities  are key caretakers of intergenerational knowledge and practices as well as longstanding critical commentators on the devastating impacts of settler colonialism and racial slavery, and their ongoing effects in everyday life.  The project is made possible through the generous support of the Mellon Foundation’s Just Futures Initiative.

Visit the RNEH website

Entwined: Freedom, Sovereignty, and the Sea

"Entwined" is the culminating exhibition for the RNEH project centering maritime histories in Indigenous, African, and African-descended worldviews and experiences. Unraveling the threads of existing maritime narratives for the history of the Dawnland (New England), Indigenous dispossession, and racialized slavery, this exhibition is rooted in voices and histories that have been silent or silenced.

Now on Exhibit at the Mystic Seaport Museum in the Stillman Building 
April 20, 2024, through January 19, 2026 
Curated by Akeia de Barros Gomes, PhD and the RNEH Exhibition Committee Members
Learn More about the Exhibition

RNEH News

“Wail on Whalers, a Portrait of Amos Haskins” by Felandus Thames, an “homage to escaped enslaved people who found autonomy in whaling,” is comprised of hairbeads strung on coated wire. The piece is part of the Mystic Seaport Museum's “Entwined” exhibition, which reimagines thousands of years of maritime history through Black and Indigenous worldviews and experiences.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.
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The Atlantic Ocean connects indigenous people along the coast of what is now New England and those in the western African nations of Ghana, Togo, and Benin. Kalunga, in the Bantu language widespread across Africa. Kuhtah in Pequot.

The depths of these connections are explored at the Mystic Seaport Museum in Mystic, CT–Pequot land–during “Entwined: Freedom, Sovereignty, and the Sea,” an exhibition breaking from the Museum’s tradition of telling maritime stories through a colonizer, shipbuilder, industrial, extractive perspective. Before starting any work, “Entwined” curator Akeia de Barros Gomes, Senior Curator of Maritime Social Histories at Mystic Seaport Museum and Simmons Center Visiting Scholar, assembled a committee of indigenous and African descended community members to discuss what they wanted to present and how.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.
Read Article
Indigenous and Black people tell their own seafaring stories at Mystic Seaport Museum.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.
Read Article