“Wail on Whalers, a Portrait of Amos Haskins” by Felandus Thames, an “homage to escaped enslaved people who found autonomy in whaling,” is comprised of hairbeads strung on coated wire. The piece is part of the Mystic Seaport Museum's “Entwined” exhibition, which reimagines thousands of years of maritime history through Black and Indigenous worldviews and experiences.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.

The Atlantic Ocean connects indigenous people along the coast of what is now New England and those in the western African nations of Ghana, Togo, and Benin. Kalunga, in the Bantu language widespread across Africa. Kuhtah in Pequot.

The depths of these connections are explored at the Mystic Seaport Museum in Mystic, CT–Pequot land–during “Entwined: Freedom, Sovereignty, and the Sea,” an exhibition breaking from the Museum’s tradition of telling maritime stories through a colonizer, shipbuilder, industrial, extractive perspective. Before starting any work, “Entwined” curator Akeia de Barros Gomes, Senior Curator of Maritime Social Histories at Mystic Seaport Museum and Simmons Center Visiting Scholar, assembled a committee of indigenous and African descended community members to discuss what they wanted to present and how.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.

Indigenous and Black people tell their own seafaring stories at Mystic Seaport Museum.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.

In 2022–2023, Allyson LaForge, supported by the Simmons Center, led key efforts to inventory 10,000 cultural Belongings at the Tomaquag Museum. She helped adapt the museum’s cataloging system to reflect Indigenous knowledge systems, laying the groundwork for a major move and future use of Traditional Knowledge Labels.

The Reimagining New England Histories: Historical Injustice, Sovereignty and Freedom project tells Black and Indigenous histories through publications, educational programming and exhibitions. Founded in 2021, the initiative is a grant-funded partnership between Williams College, Mystic Seaport Museum and the Brown Center for the Study of Slavery and Justice.