Now on view at the Ruth J. Simmons Center for the Study of Slavery and Justice, the Unfinished Conversation Series exhibition invites visitors to engage with stories from descendants of the enslaved and colonized. Drawing from a global archive of more than 150 interviews recorded across eight countries, the project sheds light on how the enduring impacts of slavery and colonialism continue to shape lives today.

At Brown University, Ph.D. candidate Arlin Hill is reimagining how culture, power, and identity intertwine. Drawing on the Black Radical Tradition and inspired by thinkers like Sylvia Wynter and Cedric Robinson, Hill examines how colonial assumptions embedded in Western thought shape behavior and self-perception. His work bridges disciplines to uncover the deep connections between race, gender, and capitalism — and to imagine new modes of resistance. Through public panels and community dialogue, Hill invites others to reflect on how social realities are formed, sustained, and transformed.

At the Mystic Seaport Museum, "Entwined" honors the deep-rooted connections between Black and Indigenous communities through centuries of seafaring, artmaking, and resistance. The exhibition illuminates sacred traditions and shared histories that continue to shape life along the waterways of New England and beyond.

Brown professor Elena Shih spent years embedded in anti-trafficking organizations across Thailand and China, expecting to document the rescue of sex slavery victims. Instead, her award-winning research revealed a troubling reality: many "rescued" women were never trafficked at all, the rehabilitation programs often caused more harm than good, and the lucrative "slave-free" products sold to well-meaning Americans were built on a carefully crafted narrative that had little to do with what these women actually needed. Her findings challenge the entire anti-trafficking industry and raise uncomfortable questions about who really benefits from the business of rescue.

Brown University historian Seth Rockman’s latest book, Plantation Goods: A Material History of American Slavery, has earned widespread acclaim, including recognition as a 2025 Pulitzer Prize finalist in history. The book, more than 15 years in the making, examines the everyday objects—like shoes, cloth, and tools—produced in New England and shipped south to sustain the economy of slavery. By analyzing these artifacts and even recreating some through hands-on weaving, Rockman uncovers how such goods connected Northern industry to Southern bondage, embodying both opportunity and oppression.

The Simmons Center welcomes a new cohort of six Public Humanities MA Students to campus in the fall of 2025. This cohort is expected to graduate in 2027.

“The Tally” (Voyage of the Slaving Brig Sally 1764–1765) and “Voices from the Middle Passage” are now part of the Simmons Center’s permanent collection and are on view at the Center after being generously donated by the artist, Pamela Pike Gordinier.

In July 2025, we welcomed 15 High School students for a week of learning, reflection, and community-building focused on the often-untold histories of Black and Indigenous peoples in New England. Brown’s Simmons Center, NAISI, and the Tomaquag Museum led courses on the 13th Amendment and The War for the Dawnland, with guest speakers and space to reflect on these important stories.

Newport, Rhode Island, is often celebrated for its Gilded Age mansions and seaside charm, but the city also has a rich and enduring Black history. The latest season of HBO’s The Gilded Age highlights Newport’s thriving 19th-century Black community, exploring the lives of property owners, entrepreneurs, and socially prominent families whose stories have often been overlooked. Historians and consultants for the show draw on primary sources to illuminate how Black Newporters shaped the city’s social, cultural, and economic life during this transformative period.

In 2024, the Human Trafficking Research Cluster marked major milestones: launching a new book on sex worker health in Rhode Island, continuing collaborative research with Red Canary Song, and preparing to debut “Liberation Atlas,” a digital map of policing violence against Asian massage workers in NYC.

The Race, Medicine, and Social Justice Cluster reflects on a year of impactful scholarship and the profound loss of Dr. Lundy Braun. Co-led by Dr. Braun and Dr. Taneisha Wilson, the Cluster advanced critical work on racism in medicine and will continue to honor Dr. Braun’s legacy through ongoing events, research, and transformative public health advocacy.

In 2023–2024, the Carceral State Reading Group served as a vital space for dialogue on captivity and repression, engaging with local and global crises. Anchored by Brown’s acquisition of Mumia Abu-Jamal’s archive, the group hosted a public symposium exploring resistance, political imprisonment, and organizing, with lasting materials now available for continued learning and action.

The Mass Incarceration Punishment in America Research Cluster explored the roots and impact of mass incarceration, emphasizing race and anti-Black racism. In 2023–2024, it hosted author talks, live oral histories with formerly incarcerated individuals, and built an archive centering incarcerated voices through its Mass Incarceration Lab.

In its first year, the Slavery’s Financial History Research Cluster gathered Brown scholars to explore how slavery shaped global finance. Through guest lectures and collaborative discussions, the group emphasized "following the money" as key to uncovering new insights into slavery’s role in modern economic systems.

Every year, distinguished Brown scholars are nominated for Research Achievement Awards by their colleagues for conducting exceptional and transformative research. Amongst the 2025 selection is Manning Assistant Professor of American Studies and Simmons Center Fellow Elena Shih.

In Slavery’s Wake: Making Black Freedom in the World explores the history and enduring impact of the global slave trade through an understudied lens: the work of enslaved people and their descendants to build resilience and community through art, rebellion, spirituality and politics.

As a curatorial fellow for the Brown Arts Institute, Simmons Center Public Humanities Graduate Student Christina Young ’26 A.M. provided comprehensive support for Elysee Barakett's poignant installation ‘Presence of Absence’ from conceptualization to execution. Young collaborated closely with Barakett on both the workshop and installation components, coordinating with BAI's marketing team to create promotional material, securing exhibition space in the Lindemann Performing Arts Center, and facilitating installation. Her behind-the-scenes work helped to bring Barakett's deeply personal exploration of loss and memory to the Brown community through this collaborative, 55-foot mural installation. 

Historians at Brown University and Tribal members from across New England are launching a project they hope will bring awareness to the historic enslavement of Indigenous people in North America.

What does “reparatory justice” mean, and how is it different from “reparations?” These are some of the questions explored in this CBH Talk by Laura Trevelyan, who in 2016 learned that her ancestors were absentee owners of 1000 enslaved Africans, and Arley Gill, Chair of the Grenada National Reparations Committee, in conversation with Simmons Center Director Anthony Bogues.