In 2023, the HTRC celebrated the launch of "White Supremacy, Racism, and the Coloniality of Anti-Trafficking", an anthology exploring how anti-trafficking efforts are rooted in systemic racism and colonial power structures. The cluster also premiered "Fly in Power", a documentary on Asian migrant massage workers, highlighting labor exploitation and racial justice.

Libby Heimark reflects on Dr. Simmons’ transformative presidency and enduring influence. From championing need-blind admissions to confronting Brown’s historical ties to slavery, Simmons combined courage, strategic vision, and scholarly integrity. Her leadership led to the creation of the Center for the Study of Slavery and Justice which has become a global model for institutional reckoning with historical injustice.

In Spring 2023, the Simmons Center welcomed three Providence high school students to its Student Enrichment program, supporting youth-led social justice projects. From African American fashion to youth activism and Ethnic Studies in medicine, students explored local history, conducted research, and engaged with community partners.

“There was a transnational flow of medical knowledge about how disease spread that increased between 1756 and 1866 and transpired not only at familiar hubs of medical research but also at sites of imperialism, slavery, war, and dispossession.” (Downs, Maladies of Empire, p. 5)

The Cluster hosted Dr. Michael Walker for a talk on his book, "Indefinite: Doing Time in Jail", exploring incarceration’s toll. Students archived letters, testified for reform, and amplified voices of those impacted by prison.

David Haas reflects on how Brown’s groundbreaking Slavery and Justice Report first drew his attention back to the university. He celebrates Dr. Ruth J. Simmons’ bold leadership in initiating a deep institutional reckoning and highlights the Simmons Center’s evolving role as a hub for interdisciplinary scholarship and public engagement

The Simmons Center, in partnership with the Tomaquag Museum, hosted a free 6-day Black & Indigenous Summer Institute for Rhode Island rising 10th–12th grade students. The Summer Institute is designed within a restorative justice framework that centers self-reflection, critical thinking, and reading against the grain to reframe how we understand history and heal our communities.

As part of the Simmons Center’s 10th Anniversary series, writer and ritual performance artist Cherise Morris ’16 returned to Brown for the premiere of the cosmic matter of Black lives. Through poetry, prayer, and ancestral wisdom, Morris invited audiences into a ritual performance exploring diasporic healing, ecological harmony, and racial justice.

In 2022–2023, Allyson LaForge, supported by the Simmons Center, led key efforts to inventory 10,000 cultural Belongings at the Tomaquag Museum. She helped adapt the museum’s cataloging system to reflect Indigenous knowledge systems, laying the groundwork for a major move and future use of Traditional Knowledge Labels.

To mark its 10th anniversary, the Center presented 'Racial Slavery, Marronage, and Freedom', a retrospective featuring Edouard Duval-Carrié, Jess Hill, and Rénold Laurent. Each artist, a longtime collaborator of the Center, debuted new work exploring resistance, memory, and the legacy of slavery through bold, layered visual storytelling and reflection.

In 2022–2023, the Carceral State Reading Group deepened its study of political imprisonment, focusing on Brown’s acquisition of Mumia Abu-Jamal’s papers. Members attended conferences, built relationships with activists, and collaborated with student and community groups on campaigns like Stop Cop City.

In 2022–2023, Decolonization at Brown (DAB) underwent vital restructuring to ensure sustainability, refocusing efforts and recruiting new members. Despite mid-year challenges, DAB hosted key events, including a screening of "What is this Place" and a discussion with Azad Essa on "Hostile Homelands".

Inspired in part by cultural theorist Stuart Hall, Unfinished Conversations (UC) is a new form of curatorial practice, public engagement, and programming to collect, give voice to, and provide a platform for untold histories, memories, and narratives related to the history of racialized slavery and its afterlives.

In 2022–2023, (De)Cypher: Black Notes on Culture and Criticism explored Black culture through study groups and conversations with working-class artists. The journal refined its methodology, culminating in a forthcoming edition, and hosted Cyphering While Black, a multimedia series featuring live discussions with independent hip-hop artists.

In 'Speculative Ecologies The Intimate Bond of Freedom and Green', Renée Elizabeth Neely-TANNER creates layered, intuitive landscapes inspired by the Maroon communities of the Dismal Swamp. Drawing on memory, history, and place, each painting becomes a map of liberation—spiritual, emotional, and ancestral—guided by color, texture, and care.

The Symbolic Slave Garden Student Caretaker Group is restoring and reimagining the garden as a living archive of Black land stewardship. Through historical research, hands-on gardening, and collaboration with other heritage gardens, students honor the resilience, knowledge, and cultural legacies of enslaved Africans.

The Cluster's Slavery, Democracy, and Racial Violence in the Americas workshop united scholars and activists to examine colonialism’s legacy in shaping racial violence, linking slavery’s history to modern issues like police brutality and mass incarceration.

Growth made Rhode Island’s capital city vibrant, but multicultural, working-class neighborhoods were sacrificed in the process. Traci Picard, a Simmons Center Walking Tour Guide, historian, and graduate of the JNBC Public Humanities program at Brown University is also a researcher for the project.