“In Slavery’s Wake,” a new exhibition at the Smithsonian’s National Museum of African American History and Culture in Washington, deals in huge themes and vast numbers. Over four centuries, an estimated 12 million Africans were transported across the ocean on more than 36,000 voyages, an epochal forced migration that reshaped societies on both sides of the Atlantic.

The seeds of the exhibition were planted in 2014, when a group of international curators met at Brown’s Ruth J. Simmons Center for the Study of Race and Justice, which Prof. Anthony Bogues leads.

The Smithsonian’s National Museum of African American History and Culture unveiled “In Slavery’s Wake: Making Black Freedom in the World”—its first international touring exhibition—Dec. 13. Through powerful forms of artistic expressions, such as quilting, music and ironwork, the exhibition reveals healing traditions rooted in the resilience of enslaved people.

Featuring more than 190 artifacts, 250 images, interactive stations and newly commissioned artworks, “In Slavery’s Wake” offers a transformative space to honor these legacies of strength and creativity. More information is available at nmaahc.si.edu/InSlaverysWake. The exhibition is open through June 8, 2025, in the museum’s Bank of America Special Exhibitions Gallery.

The exhibition delves into key questions about freedom and its expressions across six sections. Organized by the National Museum of African American History and Culture’s Center for the Study of Global Slavery and the Ruth J. Simmons Center for the Study of Slavery and Justice at Brown University, “In Slavery’s Wake: Making Black Freedom in the World” grew out of a decade-long collaboration between international curators, scholars and community members who were committed to sharing stories of slavery and colonialism in public spaces. The collective worked across geographies, cultures and languages, connecting the past and the present.

A review of the book “In Slavery’s Wake: Making Black Freedom in the World,” edited by Paul Gardullo, Johanna Obenda A.M. ’19, and Anthony Bogues, written by various contributors, which is a companion to the exhibition of the same name on view at the Smithsonian Institution National Museum of African American History and Culture.

In its first international traveling exhibition, the National Museum of African American History and Culture (NMAAHC) in Washington is opening "In Slavery’s Wake: Making Black Freedom in the World."

Born of 10 years of collaboration with curators from around the world, the exhibition tells a global story of slavery and colonialism and one of freedom, fought for and obtained. NMAAHC and exhibition co-convener Brown University's Ruth J. Simmons Center for the Study of Slavery and Justice worked with partners and community members to gather 150 oral histories that add a modern voice to the story.

The exhibition "In Slavery's Wake,” at the Smithsonian Institution National Museum of African American History and Culture, looks beyond the United States to tell a global story. Co-convened by the Ruth J. Simmons Center for the Study of Slavery and Justice, the Global Curatorial Project (GCP) is an international network of museums that has worked together over the last decade to put together this traveling exhibition, among other initiatives.

Exhibition Invites Visitors on a Journey of Collective Healing While Exploring the Enduring History of Slavery and Colonialism

The exhibition will delve into key questions about freedom and its expressions across six sections. Organized by the Ruth J. Simmons Center for the Study of Slavery and Justice at Brown University and the National Museum of African American History and Culture’s Center for the Study of Global Slavery, “In Slavery’s Wake: Making Black Freedom in the World” grew out of a decade-long collaboration between international curators, scholars and community members who were committed to sharing stories of slavery and colonialism in public spaces. The collective worked across geographies, cultures and languages, connecting the past and the present.

The Newport Historical Society has named Simmons Center Adjunct Lecturer in Slavery and Justice Dr. Akeia de Barros Gomes, Native Newport scholar and curator, to spearhead the development of a new center for Black History, set to open at the Wanton-Lyman-Hazard House. The appointment marks a significant step in the organization’s efforts to highlight Newport’s diverse historical narrative.

This past semester, as part of the Simmons Center’s Community Engagement Initiative and K–12 focus, we hosted Providence Youth Student Movement (PrYSM) in Norwood House as they held their annual fall training series. This year’s series was called Liberation 101 and was led by Suonriaksmay Keo (she/her/hers), the Youth Engagement Director of PrYSM.

A new Smithsonian book entitled "In Slavery's Wake: Making Black Freedom in the World," co-edited by Simmons Center Director Prof. Anthony Bogues, reckons with the enduring legacies of slavery and capitalism.

The book is the companion catalog to the exhibition of the same name that opens at the Smithsonian Institution National Museum of African American History and Culture on December 13, 2024.

Simmons received the award for her accomplishments in higher education.

President Joe Biden presented former University President Ruth J. Simmons with the National Humanities Medal, an annual recognition of leaders in the humanities, during an Oct. 21 White House ceremony.

Simmons made history as the first African American woman president of an Ivy League institution when she served as Brown’s 18th president from 2001-2012. Simmons’ tenure at Brown and her work supporting equity in higher education were highlighted in a White House press release detailing honorees’ achievements.

As New York City intensifies its use of bureaucratic enforcement against massage workers, Red Canary Song is taking the city to court. The collective of Asian and migrant massage and sex workers has filed a lawsuit against the NYC Department of Buildings for refusing to release public records on its inspections and fines—documents they say will expose discriminatory targeting under the guise of regulation. Supported by the Asian American Legal Defense and Education Fund (AALDEF), the suit underscores how anti-trafficking rhetoric and administrative policing have deepened economic instability and state violence against Asian migrant body workers.

When the Providence Preservation Society initially sought to sell a historic building in March, its past as the site of Providence's first newspaper and a boarding house was noted. However, there was no mention of the enslaved individuals who had lived and worked there. Traci Picard, Simmons Center Senior Research Assistant, was brought in to dig deeper into the building's history.

Picard's research revealed significant details, including that two generations of enslaved women, Ingow and her daughter Fanny, lived in the household. Her findings also dispelled the idea that the building's former owner, Carter, was an abolitionist.

Instead, Carter participated in the slave economy by printing flyers for runaway slaves while also publishing abolitionist materials, underscoring the complex relationship between business and slavery at the time. Now, with Picard’s 17-page report completed, the building is once again up for sale, but with a fuller understanding of its ties to slavery and its deeper historical significance.

A masterwork about forms of self-expression during the times of chattel slavery.

The National Museum of African American History & Culture and Smithsonian Books have produced what should be considered the definitive text for understanding Black people’s cultural contributions to world history and how the systemic implementation of slavery throughout the globe was and still is one of the key reasons for a significant amount of artifact conception and creation.

The Simmons Center is excited to welcome our first cohort of Public Humanities MA Students to campus in the fall of 2024. This cohort is expected to graduate in 2026.

The Newport Historical Society (NHS) announced a $4.5 million capital campaign to restore Newport’s oldest colonial home and convert it to a museum de­voted to the region’s Black history. At an unveiling of plans for the 1697 Wanton-Lyman-Hazard House, NHS board President Douglas Newhouse hailed the conversion as a project to share the history of African Americans in Newport that has gone untold for the most part. “No other place in New England or perhaps the whole country will tell this history the way we will here at this house,” he said as he made note of Newport being a hub of the slave trade from colo­nial times to the early 19th century.

Akeia de Barros Gomes, Simmons Center Adjunct Lecturer in Slavery and Justice, grew up in Newport and attended the city’s public schools. She said she is pleased that generations of ad­vocates would have their efforts rewarded with the conversion of the house to a museum of Black history. A member of the NHS board, Gomes has consulted on the Wan­ton Lyman-Hazard House project.

SOAS University of London will award honorary degrees to six distinguished individuals at this year’s graduation ceremonies.

Professor Anthony Bogues will be awarded a Doctor of Literature (DLit) (honoris causa) in recognition of his substantial contribution to the studies of African and African diaspora political theory, African and Caribbean politics; Global South development issues; Caribbean Art; political economy of race, and slavery and the history of capitalism. The award also acknowledges his significant work as founder and Director of the Simmons Center.

Around 200 years ago, the area near the Rhode Island State House and the train station was home to a working-class neighborhood called Snowtown. It’s largely forgotten today, but a team of researchers is trying to change that. Globe RI’s Carlos Muñoz talks to two members of the Snowtown Project research team - Heather Olson and Traci Picard, Simmons Center Senior Research Assistant. They say they're aiming to "put those people back into the imagination, as real as people who matter."

“Wail on Whalers, a Portrait of Amos Haskins” by Felandus Thames, an “homage to escaped enslaved people who found autonomy in whaling,” is comprised of hairbeads strung on coated wire. The piece is part of the Mystic Seaport Museum's “Entwined” exhibition, which reimagines thousands of years of maritime history through Black and Indigenous worldviews and experiences.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.

The Commemoration Lab, The Department of Art, Culture and Tourism (ACT,) and the Rhode Island Historical Society (RIHS) are commissioning nine creative practitioners to interrogate the ways that Providence residents construct and share memory and culture. Simmons Center Senior Research Assistant, Traci Picard, has been chosen as Writer in Residence for this project.

The Atlantic Ocean connects indigenous people along the coast of what is now New England and those in the western African nations of Ghana, Togo, and Benin. Kalunga, in the Bantu language widespread across Africa. Kuhtah in Pequot.

The depths of these connections are explored at the Mystic Seaport Museum in Mystic, CT–Pequot land–during “Entwined: Freedom, Sovereignty, and the Sea,” an exhibition breaking from the Museum’s tradition of telling maritime stories through a colonizer, shipbuilder, industrial, extractive perspective. Before starting any work, “Entwined” curator Akeia de Barros Gomes, Senior Curator of Maritime Social Histories at Mystic Seaport Museum and Simmons Center Visiting Scholar, assembled a committee of indigenous and African descended community members to discuss what they wanted to present and how.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.

In this episode of the Africa-Caribbean Reasoning Series, Professor Anthony Bogues explores the deep historical and cultural ties linking Africa and the Caribbean, urging a reimagining of Pan-African solidarity for the present moment. Drawing on themes of colonial legacies, intellectual collaboration, and collective self-determination, Bogues calls for building real connections, through institutions, ideas, and shared struggles, that move beyond symbolism toward a more just and united global Black future.

Indigenous and Black people tell their own seafaring stories at Mystic Seaport Museum.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.