A masterwork about forms of self-expression during the times of chattel slavery.

The National Museum of African American History & Culture and Smithsonian Books have produced what should be considered the definitive text for understanding Black people’s cultural contributions to world history and how the systemic implementation of slavery throughout the globe was and still is one of the key reasons for a significant amount of artifact conception and creation.

The Simmons Center is excited to welcome our first cohort of Public Humanities MA Students to campus in the fall of 2024. This cohort is expected to graduate in 2026.

The Newport Historical Society (NHS) announced a $4.5 million capital campaign to restore Newport’s oldest colonial home and convert it to a museum de­voted to the region’s Black history. At an unveiling of plans for the 1697 Wanton-Lyman-Hazard House, NHS board President Douglas Newhouse hailed the conversion as a project to share the history of African Americans in Newport that has gone untold for the most part. “No other place in New England or perhaps the whole country will tell this history the way we will here at this house,” he said as he made note of Newport being a hub of the slave trade from colo­nial times to the early 19th century.

Akeia de Barros Gomes, Simmons Center Adjunct Lecturer in Slavery and Justice, grew up in Newport and attended the city’s public schools. She said she is pleased that generations of ad­vocates would have their efforts rewarded with the conversion of the house to a museum of Black history. A member of the NHS board, Gomes has consulted on the Wan­ton Lyman-Hazard House project.

SOAS University of London will award honorary degrees to six distinguished individuals at this year’s graduation ceremonies.

Professor Anthony Bogues will be awarded a Doctor of Literature (DLit) (honoris causa) in recognition of his substantial contribution to the studies of African and African diaspora political theory, African and Caribbean politics; Global South development issues; Caribbean Art; political economy of race, and slavery and the history of capitalism. The award also acknowledges his significant work as founder and Director of the Simmons Center.

Around 200 years ago, the area near the Rhode Island State House and the train station was home to a working-class neighborhood called Snowtown. It’s largely forgotten today, but a team of researchers is trying to change that. Globe RI’s Carlos Muñoz talks to two members of the Snowtown Project research team - Heather Olson and Traci Picard, Simmons Center Senior Research Assistant. They say they're aiming to "put those people back into the imagination, as real as people who matter."

“Wail on Whalers, a Portrait of Amos Haskins” by Felandus Thames, an “homage to escaped enslaved people who found autonomy in whaling,” is comprised of hairbeads strung on coated wire. The piece is part of the Mystic Seaport Museum's “Entwined” exhibition, which reimagines thousands of years of maritime history through Black and Indigenous worldviews and experiences.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.

The Commemoration Lab, The Department of Art, Culture and Tourism (ACT,) and the Rhode Island Historical Society (RIHS) are commissioning nine creative practitioners to interrogate the ways that Providence residents construct and share memory and culture. Simmons Center Senior Research Assistant, Traci Picard, has been chosen as Writer in Residence for this project.

The Atlantic Ocean connects indigenous people along the coast of what is now New England and those in the western African nations of Ghana, Togo, and Benin. Kalunga, in the Bantu language widespread across Africa. Kuhtah in Pequot.

The depths of these connections are explored at the Mystic Seaport Museum in Mystic, CT–Pequot land–during “Entwined: Freedom, Sovereignty, and the Sea,” an exhibition breaking from the Museum’s tradition of telling maritime stories through a colonizer, shipbuilder, industrial, extractive perspective. Before starting any work, “Entwined” curator Akeia de Barros Gomes, Senior Curator of Maritime Social Histories at Mystic Seaport Museum and Simmons Center Visiting Scholar, assembled a committee of indigenous and African descended community members to discuss what they wanted to present and how.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.

In this episode of the Africa-Caribbean Reasoning Series, Professor Anthony Bogues explores the deep historical and cultural ties linking Africa and the Caribbean, urging a reimagining of Pan-African solidarity for the present moment. Drawing on themes of colonial legacies, intellectual collaboration, and collective self-determination, Bogues calls for building real connections, through institutions, ideas, and shared struggles, that move beyond symbolism toward a more just and united global Black future.

Indigenous and Black people tell their own seafaring stories at Mystic Seaport Museum.

"Entwined" is the culminating exhibition for the Reimagining New England Histories project organized by the Simmons Center at Brown University, Williams College, and Mystic Seaport Museum and generously funded by the Just Futures Initiative of the Mellon Foundation.

This spring, Sophia Janssens and her classmates added nearly 33,000 words and over 300 references to Wikipedia articles as part of Dr. Mack Scott’s course “This is America,” which focused on people and events often marginalized or forgotten in American history. During the weeks of the course alone, their collective work on Wikipedia was viewed 237,000 times.

The question of innocence (and lack thereof) is central to western imperial projects and their determination of who deserves to be “saved” and who, on the other hand, is expendable. In this text, Elena Shih describes the ways through which sex workers in Thailand refuse what she characterizes as compulsory innocence and organize together the political conditions on being “bad.”

As part of the Simmons Center’s 10th anniversary, the Marian Anderson String Quartet returned to campus with "On Being Enslaved"—a powerful recital tracing the journey from auction block to concert stage, uniting music with memory, resistance, and healing.

In a joint project with the International Institute of Social History, the Cluster unites scholars from across continents. Since 2021, the group has met in Amsterdam and Jamaica to examine racial capitalism, colonial rule, and slavery’s lasting impact, fostering global discussions on these interconnected histories.

The Stolen Relations project, launched in 2015 at Brown University, seeks to recover and reinterpret the often hidden histories of Indigenous slavery, offering a fresh perspective on the colonial past and its lasting impact.

Dr. Brenda Allen, President of Lincoln University, recounts her early role as Associate Provost and Director of Institutional Diversity and Allen's key role in guiding the Steering Committee on Slavery and Justice through complex debates over slavery’s legacy, ultimately helping produce a landmark report grounded in intellectual rigor and institutional courage.

Amanda E. Strauss reflects on the powerful connection between art and archives through Jess Hill’s quilt “Oh Say, Can You See: America and Its Birth” (2022). Now part of the Hay’s permanent collection, it is displayed on its grand staircase. For Strauss, the piece captures the layered history the Center explores and evokes personal memories of her own beginnings in textile storytelling.

From 2022–2023, the Reimagining New England Histories committee collaborated with educators and scholars to create K–12 lessons centering Black and Indigenous experiences in New England. Their work reframed Thanksgiving, highlighted mariners’ histories, and launched a student podcast contest to challenge colonial narratives.

In 2023, the HTRC celebrated the launch of "White Supremacy, Racism, and the Coloniality of Anti-Trafficking", an anthology exploring how anti-trafficking efforts are rooted in systemic racism and colonial power structures. The cluster also premiered "Fly in Power", a documentary on Asian migrant massage workers, highlighting labor exploitation and racial justice.

Libby Heimark reflects on Dr. Simmons’ transformative presidency and enduring influence. From championing need-blind admissions to confronting Brown’s historical ties to slavery, Simmons combined courage, strategic vision, and scholarly integrity. Her leadership led to the creation of the Center for the Study of Slavery and Justice which has become a global model for institutional reckoning with historical injustice.

In Spring 2023, the Simmons Center welcomed three Providence high school students to its Student Enrichment program, supporting youth-led social justice projects. From African American fashion to youth activism and Ethnic Studies in medicine, students explored local history, conducted research, and engaged with community partners.