Ruth J. Simmons Center for the Study of Slavery and Justice

Sites of Remaking: Port Cities and Our Present

Exhibition on view in the Simmons Center gallery March 30 through April 24, 2026.
This exhibition explores themes of freedom-making, resistance, place-making and the legacies of slavery through works by three Rhode Island-based multi-disciplinary artists: Jazzmen Lee-Johnson, Kia Lenise and Spencer Evans. Curated by Ivie Orobaton, A.M. Candidate in Public Humanities.

Ports and port cities are sites of encounter and exchange, of sea and land, of trade and commerce. In port cities, different cultures jostle against each other and languages mix as the local and global co-mingle to create new ways of life. Ports and their cities are sites of remaking. For hundreds of years, from the 15th-century to the late 19th-century, many ports along the West Coast of Africa were connected to various ports in the Americas, particularly in North America, Brazil and the Caribbean. This was the era of the trade in “human commerce” – the Transatlantic Slave Trade. This trade in over 12 million African human beings became the basis of the wealth of European and American civilizations. Today, we are confronted with a critical issue — how to tell this story. 

This exhibition emerges from the April 23–24, 2026 conference, Reconsidering Port Cities: Critical Commemoration of Slavery, and Transatlantic Legacies, that reimagines port cities. Thus, this exhibition attempts to tell a story about the trade through an exploration of ports. Through artistic interventions, meditations, and creations, port cities are recontextualized, complicated, and reimagined, centering Black and Indigenous experiences within the global history of the Transatlantic Slave Trade and its present-day legacies. 

Acknowledgements

The Simmons Center would like to thank artists Jazzmen Lee-Johnson, Spencer Evans, and Kia Lenise. Special thanks to Christopher Roberts and Bao Nguyen for the media installation.

Exhibition curated by Ivie Orobaton.
Exhibition and catalog design by Erin Wells.
Exhibition installation by Ben Kaplan.

Support for this exhibition was generously provided by an anonymous donor.

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On View March 30–April 24, 2026

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